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Music’s in the Air

November was an auspicious time for musical rendezvous and encounters for friends and members of MPL.

Nick Ong performed on the pipa at MPL in a Show of Appreciation for people who had helped MPL in recent events.

Earlier in the month we had the opportunity to attend a solo recital at the KLSCAH by tenor David Ngim dedicated to his late mentor Armando Chin Yong.

Following that, we were privileged to be acquainted with members of the KLSCAH Choir who were in the midst of rehearsals for a concert in Tawau, Sabah.

Pipa recital by Nick Ong

During a stopover in KL en route home to Penang from Beijing, Nick Ong detoured to MPL to graciously perform the following pieces on the pipa for friends and members of MPL as well as students and staff of HELP University.

1. Top of the World (The Carpenters)

2. 刀剑如梦 (Dao jian ru meng; A life of fighting is but a dream)

3. 小月儿高(Xiao yue er gao; Little high moon)

4. 如果爱 (Ruguo ai; If love)

5. 新编十面埋伏 (Shi mian mai fu; Ambush from ten sides (new version)

6. 旱天雷 (Han tian lei; Thunder in the drought)

Watch the videos here: https://bit.ly/3ZzwJRX

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A gift of folk song and music from China

 On Nick’s musical sojourn in China he encountered some performances in the open, the footage of which he generously shared with us:

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Yan’an (延安)

Nick could not have picked a more significant place (historically and culturally) to visit. In Yan’an city (Shaanxi province; 陕西) he came upon this performer of the traditional art of Shaanbei shuoshu (陕北说书; Shaanbei storytelling) in front of the Yan’an Theater (延安戏剧). Shaanbei storytelling is a traditional form of spoken performance that blends narrative with musical accompaniment. The instrument is the sanxian (三弦; three strings), a three-stringed instrument commonly used in Chinese folk music and opera. Yan’an was the HQ of the Chinese Communist Party during the Chinese civil war and the place where Mao Zedong formulated his political ideology.

And Yan’an Theater was important because of its key role in spreading Communist ideology, mobilizing support for the revolution, and developing new forms of dramatic art that were accessible to the masses and could spread the revolutionary ideals of the Chinese Communist Party. The performances were not only for entertainment but were a key tool for political education and ideological promotion featuring themes of anti-imperialism, class struggle, patriotism, heroism, and presented in a simple and austere style that reflected the revolutionary spirit of self-reliance and the harsh conditions of the time. The performances included influential works like The White-Haired Girl (Bai fa guniang; 白发姑娘) and The White Lotus (Bai lian hua; 白莲花).

Watch the video here:

https://bit.ly/3Zds6eY

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Street musicians perform in front of a wine shop. On the right, the man plays the sheng (笙), a traditional Chinese mouth organ and one of the oldest musical instruments in China, used in court music, folk music, and religious ceremonies. In modern music, it is still used in folk and orchestral compositions, although less commonly compared to the erhu or pipa. It creates harmonic sounds and can be played both melodically and in harmony. It is the antecedent of similar instruments like the Japanese sho and the Korean saenghwang.

Of culinary interest, the dong wine (董酒, dong jiu) being promoted on the billboard is a traditional wine that originates from the Dong ethnic minority in Guizhou Province, southwestern China. It is made from glutinous rice, millet and barley and herbs. It is also used to marinate meat and sometimes added to stews, soups or braised meats to enhance flavour.

Watch the video here:
https://bit.ly/3Viizln

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Musicians leading a wedding procession in Wubao County (吴堡县) in Yulin City (榆林市), Shaanxi Province.

Watch the video here:

https://bit.ly/3B5mrzu

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A man sings a solo Shaanbei folk song at a small village in Shuide (水堆) city in Shaanxi province.

Shuide city is culturally rich, with influences from both Han Chinese culture and the Qin and Zhou historical periods. It is known for its local traditions, folk arts and festivals.

Watch the video here:

https://bit.ly/3Zy32AH

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Another stroke of good fortune came Nick’s way when he recorded this Shaanxi opera in the small village beside the Yellow River in Lvliang city (略阳; also spelled Lüliang or Lyuliang) in Shaanxi province just as it was celebrating 庙会 (miaohui; temple fair). These fairs are held annually to commemorate the birthday of the temple deity, significant religious events or local historical occasions. They usually feature performances of Chinese opera, puppet shows, acrobatic acts, martial arts demonstrations and lion or dragon dances.

Watch the video here:

https://bit.ly/3Zim1Op

The Kuala Lumpur and Selangor Chinese Assembly Hall: a Cultural and Civic Hub

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The Kuala Lumpur and Selangor Chinese Assembly Hall (KLSCAH; 吉隆坡暨雪兰莪中华大会堂) located in Jalan Maharajalela, Kampung Attap, Kuala Lumpur is a focal point for cultural and social activities of the Chinese community.

It was formed in 1923 to look after the welfare and socio-economic interests of the Chinese community. It founded and provided leadership for clan associations (hui guan; 会馆), a role that was later assumed by Huazong (华总, short for 华人总会 (Huaren zonghui), the Federation of Chinese Associations Malaysia in 1991.

In November our roving reporter was privileged to catch two musical events at the KLSCAH.

The first was a solo recital by celebrated tenor David Ngim in tribute to his late master, Maestro Armando Chin Yong (Chen Rong; 陈容), performed to a full-house.

Armando Chin Yong was a renowned opera singer (tenor) who trained in Rome and Vienna in vocal music and opera, and earned high accolades for his performances in Europe and Asia. He also performed in concerts for the Sichuan earthquake fund in China.

David Ngim is a celebrated tenor who was mentored by Maestro Armando Chin Yong. He has earned international acclaim; his numerous awards include 1st prize at the 18th Osaka International Vocal Competition and the Ambassador Award from the Chinese Consulate General in Osaka. David has organised music festivals, seminars and concerts.

The title-theme of the concert Non ti scordar di me (Don’t forget me) is a classic Italian song about a lover who asks his partner not to forget him after she has left him. It has been performed by the likes of Mario Lanza, Luciano Pavarotti and Andrea Bocelli.

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KLSCAH Choir – leading in cultural exchange

One of the most active sections in the KLSCAH is the KLSCAH Choir.

We attended one of their rehearsal sessions under the able leadership of conductor Ms Lee Yee Wee in preparation for a joint concert in Tawau, Sabah with a kindred group of singers.

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What use is music?

Music functions to evoke emotion (elation, sadness, excitement), as social connection, therapy, learning tool, religious expression, marker of social and political change, cultural heritage, and of course entertainment.

But the ancients put a higher premium on music.

For Plato:

“Music is a moral law. It gives a soul to the Universe, wings to the mind, flight to the imagination… It is the essence of order, and leads to all that is good and just and beautiful”.

– emphasising music’s transformative power, with a capacity for touching the human soul, stimulating intellectual growth and unleashing creativity – a moral force to shape character and society, and bring harmony in the well-ordered state.

For Confucius, music is one of three elements in his holistic view of education and self-cultivation as reflected in this quotation:

以诗为引,礼为束,乐为和 (Yi shi wei yin; li wei shu; yue wei he)

(trans: Be aroused by poetry; be disciplined by propriety (etiquette), refine (harmonise) yourself with music.)

(This is not an actual quotation by Confucius but a digest of ideas from his teachings.)

The quotation suggests that poetry, propriety and music are three essential components for cultivating a virtuous and harmonious life:

  • Poetry provides inspiration and awakens our emotional and intellectual faculties.
  • Propriety guides our actions and behaviour, enabling us to conform to social norms and moral values.
  • Music is a moral force with the capacity to shape a virtuous character, bring peace to mind and soul and cultivate inner harmony and emotional balance.

In Confucianism, education and self-cultivation were not just about intellectual learning, but about harmonising and balancing different aspects of one’s life – emotions, behaviour and moral values. These three elements (poetry, propriety, and music) were considered essential to achieving this balance.

Acknowledgments: Mr Lai Sin Siang – Nick Ong – Mayli Lim & Khoo Hock Aun – Foo Hui Ni

References:

Websites: Huazong; Yan’an Theater; KLSCAH

Wikipedia; ChatGPT